I love drums, always have but recently my love for drums had really gone up a notch!
My first drum was a hand drum made with a skin and a terracotta pot and I took this to festivals as it was reasonably stable (especially in the Summer). I still have it of course, it’s in my collection of drums but sadly because the skin is pretty old now (20 years at least), it is looking a little tired and I have to say at that stage I did not know how to care for my drums like I do now, so it’s rather worse for wear.
After going to a shamanic drumming course, I decided that wanted to make my own hand drum and I met a drum maker at a festival and realised that I could make my own very special drum, just for me.
So I saved my money and went on a fantastic course by Dunwood drums and made a 15” frame drum based on metal hoop. It was a lovely weekend course and while hard work, it was done with a wonderful intention and creative space. I also then felt drawn to paint my drum and the paint is still going strong 15 years later.
The drum did get quite dry and so for the first time last year I oiled my first animal skin drum with organic rapeseed oil, using the fantastic instructions by Heron Drums and it made the world of difference, it was like a completely different drum, it has changed the sound of the drum but in a good way and yes it has changed the colour of the skin slightly but I don’t mind that.
I still love that drum but it probably break at some point and I will have to use the skin and materials for something else, probably a rattle, or several rattles, as this is what most people do when they have a skin drum break.
My next drum was a Remo Buffalo hide synthetic drum and this one you can play outside regardless of the weather, which is great if you live in the UK! There is quite a lot of talk about the use of these drums and that they don’t have a ‘spirit’ as an animal skin drum but I think part of the drum’s spirit comes from the player. It’s also my personal belief that all things have a spirit, whether it’s a fake skin drum or a rock.
I have had wonderful experiences with my Remo Buffalo drum (14”), it’s actually quite small for a Remo drum (but it spoke to me and I loved the resonance of this particular size, in comparison with the 16” for example, you’d think it wouldn’t make that much difference but it really does.
So for my drumming workshops I usually use both of these drums, but sometimes I use one or the other depending on the weather conditions and which one I’m drawn to use.
For me, these drums are happy to be shared and I don’t mind if anyone wants to use them and borrow them, they can be shared during workshops and drumming circles.
I have been waiting to be ready to ‘birth’ another drum and I think I probably will this year but I don’t have any firm plans just yet.